The URSA Mini Pro is a professional digital camera which has the same image quality of the URSA Mini 4.6K but also has the same functions and external commands from a traditional video camera! You have several ergonomic commands on the side of the camera to adjust the operations without ever losing the image from your eyes. The URSA Mini Pro also has an integrated ND filters turret, a status screen and has a revolutionary interchangeable mount system that will allow you to use lenses such as EF, PL  and even video B4 !. This camera can records up to 60 images/second and records on two C-Fast 2.0 cards but it can also use two SD card when working in HD. The URSA Mini Pro is lightweight and comfortable enough to shoot handheld all day . It has all the easy controls from the more expensive broadcast camera but with a superb 4.6K pictures ! 

URSA Mini Montreal

Camera Characteristics

Effective sensor size

25,34mm x 14,25mm (Super 35)

EF Mount (Interchangeable with PL and B4 mount)
Control of the lens

Electronic control via the EF mount or via the 12-pin broadcast connectors for compatible lenses.
Dynamic Range

15 stops.
Shooting Resolution

4608 x 2592, 4608 x 1920 (4.6K 2.40:1) , 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048x1080 (2K DCI), 1920 x 1080

Shooting speeds

The maximum image frequency of the sensor depends of the selected resolution and codec. It supports speeds of 23.98, 24, 25, 29.97, 30,50,59.94 and 60 i/s. Off-speed images up 60p in 4.6k and 2k in Window mode.

Integrated ND filters

Four position ND filter turret: clear , 2 stops, 4 stops and 6 stops

Focus

Focus feature which activates the peaking feature and there's also an autofocus mode when using autofocus lenses

Iris control

The Iris feature can control the iris on Canon EF lens and there's also an autoiris feature specially usefull when working in B4 video zoom.

LCD size: 4"

Screen type: LCD touchscreen

Metadata: Lens metadata when shooting with an EF lens plus the usual clip metadata (take, scene, reel, project name etc)

Controls: Touchscreen controls of pretty much everything straight from the main LCD screen, 2 custom buttons that you could assign to the features that you want 

Timecode: timecode input in BNC with a maximum of 2 frames drift after 18 hours of operations.

I/O

Video input

1 SDI

Video outputs

1 main SDI in the back

1 SDI in the front for the viewfinder or an external monitor

both outputs could be switched between UHD and HD

SDI speeds

3G,  12G

external 12V

XLR 4 and P-tap

Timecode 

time code in / out 

Audio inputs

2 x XLR 3 that could works either in analog line level or mike level with or without phantom power and could also be switched to AES/EBU digital 

Audio output

1 3.5mm headset connection 

 

Time code and sync

Tri-Sync/Black burst/Timecode.

Remote control and bluetooth

1 LANC 2.5mm input for record/stop and some iris focus control

Bluetooth control from a iPhone or iPad available with an app from the Apple App Store(no Android app available)

SDI control available from an Arduino control module available from Blackmagic Design

 

Camera Rental company
Location caméra àMontréal

Audio

Microphone

Built-in microphone

Speaker

Built in speaker and headphone jack

Resolutions

SD video

not supported

HD video

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60

Ultra HD video

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI standards

SMPTE 292M, SMPTE 424 B, SMPTE 2081-1, SMPTE 2082-1

Digital audio

48 kHz samplings at 24 bits.

cards

Support

2 x Cfast cards for up to 4.6KRAW and ProRes. 2 x SD cards for HD

Click here to see every available modes

card format

The Cfast and SD could be formatted in either EXfat (PC, MAC, Linux) or HFS+ (MAC)

Supported codecs

Codecs

CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime.

Controls

External control

The camera could be remote controlled from a ATEM blackmagic video mixer, the Blackmagic Arduino shield or Bluetooth from an iPhone or iPad

 

Colorisation

Color by

DaVinci YRGB

Tally

Tally light

Tally indication on the LCD screen, camera body and Blackmagic viewfinder.

SDI control protocol

Available from SDI data channel 15 and 16

Data recording

Card types

2 x CFast 2.0
2 x SD UHS-II type

Capacity

4608 x 2592
CinemaDNG RAW - 513MB/s
CinemaDNG RAW 3:1 - 180 MB/s
CinemaDNG RAW 4:1 - 135 MB/s

3840 x 2160
Apple ProRes 444 XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s

1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
all based on a 30 fps recording.

Recording formats

RAW CinemaDNG lossless, RAW 3:1 and RAW 4:1 with film dynamic range (15 stops) en :

4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 et 1920 x 1080.

Apple ProRes in film or vidéo dynamic range .

4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 et 1920 x 1080

Power

Power inputs

I Anton-Bauer battery connection 

1 XLR 4 standard 12V input

 

external power

XLR 4

battery

Gold mount type

Physical dimensions

Studio et Camera à Montreal

Operation specs

Temp

0° to 40°C (32° to 104°F)

Storage

-20° to 45°C (-4° to 113°F)

Humidity

0% to 90% without condensation